The Great Spa Towns of Europe

Austria-Belgium- Czechia- France-Germany-Italy- UK

This transnational property comprises 11 towns, located in seven European countries: Baden bei Wien (Austria); Spa (Belgium); Františkovy Lázně (Czechia); Karlovy Vary (Czechia); Mariánské Lázně (Czechia); Vichy (France); Bad Ems (Germany); Baden-Baden (Germany); Bad Kissingen (Germany); Montecatini Terme (Italy); and City of Bath (United Kingdom). All of these towns developed around natural mineral water springs. They bear witness to the international European spa culture that developed from the early 18th century to the 1930s, leading to the emergence of grand international resorts that impacted urban typology around ensembles of spa buildings such as the kurhaus and kursaal (buildings and rooms dedicated to therapy), pump rooms, drinking halls, colonnades and galleries designed to harness the natural mineral water resources and to allow their practical use for bathing and drinking. Related facilities include gardens, assembly rooms, casinos, theatres, hotels and villas, as well as spa-specific support infrastructure. These ensembles are all integrated into an overall urban context that includes a carefully managed recreational and therapeutic environment in a picturesque landscape. Together, these sites embody the significant interchange of human values and developments in medicine, science and balneology. source:whc.unesco.org

1. Austria- Baden Bei Wein- Received

2. Belgium- Spa

3. Czech Republic-Frantiskovy Lazne

4. Czech Republic- Karlovy Vary

5. Czech Republic- Marianske Lazne

6. France- Vichy- Received

7. Germany- Bad ems

8. Germany- Baden Baden

9. Germany- Bad Kissigen- Received

10. Italy- Montecatini Terme- Received

11. United Kingdom- Bath- Received

Inscribed: 2021

France- Vichy

Thanks to Ms Julie.

Austria- Baden Bei Wein

Thanks to MS Monika. 

United Kingdom -The City of Bath

Thanks to Ms Nat.

 Germany- Bad Kissingen

Thanks to Ms Svenja

Italy- Montecatini Terme

Thanks to Ms Martha Isabel

Italy: The Porticoes of Bologna

The serial property comprises twelve component parts consisting of ensembles of porticoes and their surrounding built areas, located within the Municipality of Bologna from the 12th century to the present. These portico ensembles are considered to be the most representative among city’s porticoes, which cover a total stretch of 62 km. Some of the porticoes are built of wood, others of stone or brick, as well as reinforced concrete, covering roads, squares, paths and walkways, either on one or both sides of a street. The property includes porticoed buildings that do not form a structural continuum with other buildings and therefore are not part of a comprehensive covered walkway or passage. The porticoes are appreciated as sheltered walkways and prime locations for merchant activities. In the 20th century, the use of concrete allowed the replacement of the traditional vaulted arcades with new building possibilities and a new architectural language for the porticoes emerged, as exemplified in the Barca district. Together, the selected porticoes reflect different typologies, urban and social functions and chronological phases. Defined as private property for public use, the porticoes have become an expression and element of Bologna’s urban identity. source:whc.unesco.org

Inscribed: 2021

 Thanks to Boris for sending it from Spain.

Italy: Padua’s fourteenth-century fresco cycles

This property is composed of eight religious and secular building complexes, within the historic walled city of Padua, which house a selection of fresco cycles painted between 1302 and 1397 by different artists for different types of patron and within buildings of diverse functions. Nevertheless, the frescos maintain a unity of style and content. They include Giotto’s Scrovegni Chapel fresco cycle, considered to have marked the beginning of a revolutionary development in the history of mural painting, as well as other fresco cycles of different artists, namely Guariento di Arpo, Giusto de’ Menabuoi, Altichiero da Zevio, Jacopo Avanzi and Jacopo da Verona. As a group, these fresco cycles illustrate how, over the course of a century, fresco art developed along a new creative impetus and understanding of spatial representation. source:whc.unesco.org

Inscribed: 2021

Postcard 1:  Basilica of St Anthony 

Postcard 2: Fresco's

Thanks to Ms Isabella.

Italy: Historic Centre of San Gimignano

San Gimignano delle belle Torri' is in Tuscany, 56 km south of Florence. It served as an important relay point for pilgrims travelling to or from Rome on the Via Francigena. The patrician families who controlled the town built around 72 tower-houses (some as high as 50 m) as symbols of their wealth and power. Although only 14 have survived, San Gimignano has retained its feudal atmosphere and appearance. The town also has several masterpieces of 14th- and 15th-century Italian art. Source:whc.unesco.org

Inscribed: 1990

Postcard 1

Thanks to Ms Serena.

Postcard 2

Thanks to Ms Gosia.

Venetian Works of Defence between the 16th and 17th Centuries: Stato da Terra – Western Stato da Mar

Croatia-Italy-Montenegro

This property consists of 6 components of defence works in Italy, Croatia and Montenegro, spanning more than 1,000 km between the Lombard region of Italy and the eastern Adriatic Coast. The fortifications throughout the Stato da Terra protected the Republic of Venice from other European powers to the northwest and those of the Stato da Mar protected the sea routes and ports in the Adriatic Sea to the Levant. They were necessary to support the expansion and authority of the Serenissima. The introduction of gunpowder led to significant shifts in military techniques and architecture that are reflected in the design of so-called alla moderna / bastioned, fortifications, which were to spread throughout Europe. source:whc.unesco.org

Inscribed: 2017

Croatia: Zadir

Thanks to Antich of Croatia.

Italy: Bergamo

Thanks to Mr Boris.

Montenegro: Kotor

Thanks to Heidi.

Italy: The Trulli of Alberobello

The trulli , limestone dwellings found in the southern region of Puglia, are remarkable examples of drywall (mortarless) construction, a prehistoric building technique still in use in this region. The trulli are made of roughly worked limestone boulders collected from neighbouring fields. Characteristically, they feature pyramidal, domed or conical roofs built up of corbelled limestone slabs. Source: whc.unesco.org

Inscribed: 1996

Postcard 1

Thanks to Jackie.

Postcard 2

Thanks to Ms Anna.

Italy: Historic Centre of Siena

Siena is the embodiment of a medieval city. Its inhabitants pursued their rivalry with Florence right into the area of urban planning. Throughout the centuries, they preserved their city's Gothic appearance, acquired between the 12th and 15th centuries. During this period the work of Duccio, the Lorenzetti brothers and Simone Martini was to influence the course of Italian and, more broadly, European art. The whole city of Siena, built around the Piazza del Campo, was devised as a work of art that blends into the surrounding landscape. Source:whc.unesco.org

Inscribed: 1995

Postcard 1: Piazza del Campo

Thanks to Mr Edo.

Postcard 2

Thanks to Ms Cathy.

Italy: Historic Centre of the City of Pienza

It was in this Tuscan town that Renaissance town-planning concepts were first put into practice after Pope Pius II decided, in 1459, to transform the look of his birthplace. He chose the architect Bernardo Rossellino, who applied the principles of his mentor, Leon Battista Alberti. This new vision of urban space was realized in the superb square known as Piazza Pio II and the buildings around it: the Piccolomini Palace, the Borgia Palace and the cathedral with its pure Renaissance exterior and an interior in the late Gothic style of south German churches. source:whc.unesco.org

Inscribed: 1996

Thanks to Mr Assandro.

Italy: Val d'Orcia

The landscape of Val d’Orcia is part of the agricultural hinterland of Siena, redrawn and developed when it was integrated in the territory of the city-state in the 14th and 15th centuries to reflect an idealized model of good governance and to create an aesthetically pleasing picture. The landscape’s distinctive aesthetics, flat chalk plains out of which rise almost conical hills with fortified settlements on top, inspired many artists. Their images have come to exemplify the beauty of well-managed Renaissance agricultural landscapes. The inscription covers: an agrarian and pastoral landscape reflecting innovative land-management systems; towns and villages; farmhouses; and the Roman Via Francigena and its associated abbeys, inns, shrines, bridges, etc. Source: whc.unesco.org

Inscribed: 2004

Postcard 1

Postcard 2

Thanks to Mr Javier

Italy: Cilento and Vallo di Diano National Park with the Archeological Sites of Paestum and Velia, and the Certosa di Padula

The Cilento is an outstanding cultural landscape. The dramatic groups of sanctuaries and settlements along its three east–west mountain ridges vividly portray the area's historical evolution: it was a major route not only for trade, but also for cultural and political interaction during the prehistoric and medieval periods. The Cilento was also the boundary between the Greek colonies of Magna Graecia and the indigenous Etruscan and Lucanian peoples. The remains of two major cities from classical times, Paestum and Velia, are found there. source:whc.unesco.org.

Inscribed: 1998

Thanks to Mr Kirsten for sending it from Germany.

Italy: Early Christian Monuments of Ravenna

Ravenna was the seat of the Roman Empire in the 5th century and then of Byzantine Italy until the 8th century. It has a unique collection of early Christian mosaics and monuments. All eight buildings – the Mausoleum of Galla Placidia, the Neonian Baptistery, the Basilica of Sant'Apollinare Nuovo, the Arian Baptistery, the Archiepiscopal Chapel, the Mausoleum of Theodoric, the Church of San Vitale and the Basilica of Sant'Apollinare in Classe – were constructed in the 5th and 6th centuries. They show great artistic skill, including a wonderful blend of Graeco-Roman tradition, Christian iconography and oriental and Western styles. source:whc.unesco.org

Inscribed: 1996

Thanks to Ms Rita.

Italy: Historic Centre of Urbino

The small hill town of Urbino, in the Marche, experienced a great cultural flowering in the 15th century, attracting artists and scholars from all over Italy and beyond, and influencing cultural developments elsewhere in Europe. Owing to its economic and cultural stagnation from the 16th century onwards, it has preserved its Renaissance appearance to a remarkable extent. Source: whc.unesco.org

Inscribed: 1998

Thanks to Mr Allessandro

Italy: Late Baroque Towns of the Val di Noto (South-Eastern Sicily)(2002)

The eight towns in south-eastern Sicily: Caltagirone, Militello Val di Catania, Catania, Modica, Noto, Palazzolo, Ragusa and Scicli, were all rebuilt after 1693 on or beside towns existing at the time of the earthquake which took place in that year. They represent a considerable collective undertaking, successfully carried out at a high level of architectural and artistic achievement. Keeping within the late Baroque style of the day, they also depict distinctive innovations in town planning and urban building. Source:whc.unesco.org

Thanks to Ms Gabi Fischl.

Italy: Arab-Norman Palermo and the Cathedral Churches of Cefalú and Monreale

Located on the northern coast of Sicily, Arab-Norman Palermo includes a series of nine civil and religious structures dating from the era of the Norman kingdom of Sicily (1130-1194): two palaces, three churches, a cathedral, a bridge, as well as the cathedrals of Cefalú and Monreale. Collectively, they are an example of a social-cultural syncretism between Western, Islamic and Byzantine cultures on the island which gave rise to new concepts of space, structure and decoration. They also bear testimony to the fruitful coexistence of people of different origins and religions (Muslim, Byzantine, Latin, Jewish, Lombard and French). source:whc.unesco.org

Inscribed: 2015

Thanks to Cri. Card shows one of the paintings in Monreale Cathedral.

Italy: The Sassi and the Park of the Rupestrian Churches of Matera

This is the most outstanding, intact example of a troglodyte settlement in the Mediterranean region, perfectly adapted to its terrain and ecosystem. The first inhabited zone dates from the Palaeolithic, while later settlements illustrate a number of significant stages in human history. Matera is in the southern region of Basilicata. Source: whc.unesco.org

Inscribed: 1993

Thanks to Ms Gosia.

Italy: The Dolomites

The site of the Dolomites comprises a mountain range in the northern Italian Alps, numbering 18 peaks which rise to above 3,000 metres and cover 141,903 ha. It features some of the most beautiful mountain landscapes anywhere, with vertical walls, sheer cliffs and a high density of narrow, deep and long valleys. A serial property of nine areas that present a diversity of spectacular landscapes of international significance for geomorphology marked by steeples, pinnacles and rock walls, the site also contains glacial landforms and karst systems. It is characterized by dynamic processes with frequent landslides, floods and avalanches. The property also features one of the best examples of the preservation of Mesozoic carbonate platform systems, with fossil records. Source:whc.unesco.org

Inscribed: 2009

Thanks to Ms Rita

Italy: Rhaetian Railway in the Albula / Bernina Landscapes

Rhaetian Railway in the Albula / Bernina Landscapes, brings together two historic railway lines that cross the Swiss Alps through two passes. Opened in 1904, the Albula line in the north western part of the property is 67 km long. It features an impressive set of structures including 42 tunnels and covered galleries and 144 viaducts and bridges. The 61 km Bernina pass line features 13 tunnels and galleries and 52 viaducts and bridges. The property is exemplary of the use of the railway to overcome the isolation of settlements in the Central Alps early in the 20th century, with a major and lasting socio-economic impact on life in the mountains. It constitutes an outstanding technical, architectural and environmental ensemble and embodies architectural and civil engineering achievements, in harmony with the landscapes through which they pass. Source:whc.unesco.org

Inscribed: 2008

Thanks to Ms Gosia